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I spent the last month listening to every REM studio album in chronological order - Accelerate

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It has been 3 months since I wrote the post about Around The Sun. Partly because the Christmas beers took over the blog, but also because the album decreased my enthusiasm a bit. I was not eager to go on to Accelerate. I liked it when I first listened to it. I was at work alone in April, listening to all the REM albums to keep me from going crazy and after Around the Sun was just happy to hear jangly guitars, melodic bass lines and vocal harmonies again. Accelerate is REM retracing their steps musically, which makes my opinion of it change daily.

After Around The Sun, REM knew they were in trouble. They had let themselves be distracted by touring, releasing a best off and side projects. Most of the writing and recording of Around The Sun had been done by each member individually, without much communication between them. They knew they needed to refocus. They met up to write the songs together and recorded most of them together in an old chapel (now performance space) in Athens. REM playing in an old church in Athens, just like old times. It fits with the decision to return to their trademark sound, focusing on the kind of music they are comfortable with and use their energy into making it good.

Until Accelerate REM never made the same album twice. Every album was either developing the sound from previous albums further or a complete departure. For the first time, REM are looking backwards, drawing from some of the most recognizable elements of their music from the past 27 years. Music wise the album is closely related to New Adventures in HiFi, except when it comes to mixing / production. Both albums have the spirit of live recordings, but while New Adventures, which was recorded live on tour, has the typical clear and multilayered sound of Scott Litt, Accelerate was mixed and produced by Jackknife Lee, who went for a more compressed sound, equivalent to the sound of a live performance.
The desperate attempt to sound new in Around the Sun had caused them to add random elements to songs (looking at you electronic randomness in Final Straw). Not trying to redefine the sound of REM they focused their creative energies on writing good guitar / bass / vocal parts.
It is a very guitar heavy album, and Buck sounds so happy to just be able to go all out on guitar. Whether it is his usual jangle on most songs, folk inspired acoustic guitar on Houston and Until the Day is Done (which reminds me of Automatic for the People) or solo guitar, he seems to have so much fun. One of the best decisions they made on this album was to take the piano away from Mike Mills and hand him a bass and a microphone. How I missed both his melodic bass and vocal harmonies. The Album starts with a really cool bass riff at Living Well is the Best Revenge and just keeps going from there. I love the background vocals on the album. There are the usual counter melody vocal again, but also some more creative touches, such as the high harmonies Sing for Submarine or the "wohoos" on I'm Gonna DJ. Stipes singing performance is reminiscent of his more punk influenced singing style from the 80s, reminding me of his vocal performance on Just A Touch from Lifes Rich Pageant. Bill Rieflin is the drummer on this album and is very much earning his paycheck with most songs being very fast paced. He is not trying to copy Bill Berry and this album made me realize how distinct and different from traditional rock drums Bill Berry's style is.

I have a moment of brilliance
I know that I am not qualified at all to write about music and am frequently getting distracted by hairstyles and glittery suits, but I had my moment of brilliance on this album. When I listened to Houston I heard a familiar melody. The guitar part of the verses in Accelerate sounded really similar like the guitar part of the intro of Try not to Breathe from Automatic for the People. They are also both mid tempo songs with a folky fingerstyle guitar. It bugged me and I read several reviews of Accelerate, seeing if someone had heard the same. None mentioned it. So I decided to do some more research and looked up the chord progression for each song. Behold! I was right. The chord progression in Try not to Breathe is D, am, C, G, Dsus4, am; Houston's chord progression is D5, am7, C, G, D5 am(7). The main similarity is a small riff back to the D(5). It is more a reference than a copy, but it is there and makes me wonder if it was intentional.

Shout outs:
  • I kept pronouncing Men Sized Wreath as Men Sized Wrath in my head, as I did not know what a wreath is. REM, my own private English teachers.

  • The solo guitar on Accelerate is continuously walking up the scale during the whole song, ending in some high vibrating notes. It is one good example on Buck doing really cool guitar things in the background without showy rock solos.

  • I'm Gonna DJ, the last song is cool. It also made me realize my (and I guess others) problem with this album other than REM musically retracing their steps. It is very young sounding, a song that a band might write in their 20s or 30s and here are these 50 year old's ignoring my definition of age appropriate music. My problem though, not theirs. I really love this song.

  • Closing thoughts:
    I had been excited about the new direction they went with, with Up, was sorry this journey ended with Around the Sun and can't help feeling Accelerate is a little bit of a creative capitulation. If this album had come out in the 90s, I would have loved it. If some young, new band had come out with it, I might have bitched a bit about copying REM, but would have loved it. This album was the last they toured on (a great album to play live). Collapse Into Now is their last album, they released it in spring 2011 and split in autumn. I can't help feeling a bit sad listening to it, but at least I will get to bitch about hair styles again.

    Picture of the week - Lockets on Emei mountain

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    Lockets on the Emei Mountain in Sichuan province in China. Usually I do not like pictures taken with my mobile phone, but this one turned out well.


    An ode to Swiss Mocca

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    When I first came to Iceland in 2001 I did not like coffee. Then I discovered Swiss Mocca. Consisting of half hot chocolate, half coffee and topped with whipped cream it was my entry drug. In winter you can get a version with chili flakes from Te og Kaffi, the better Icelandic version of Starbucks.
    No Swiss person I ever met had heard about this national drink of theirs. I did some investigations into European coffee drinks and think that the closest European drink is Vienna Coffee, a drink that outside of Vienna is often made by mixing espresso and chocolate, topping it with cream. I guess some Icelander who brought this drink to Iceland got their European mountain countries with strange German dialects mixed up. In Vienna itself, the only coffee you can get is a "Wiener Melange", an espresso topped with steamed milk AND milk foam (as a huge fan of milk foam, I loved this drink when I was in Vienna, it is 60% foam 40% coffee. I would have milk foam by itself).
    So next time you order a coffee drink, good luck it really is the wild west out there....
    Posted on - Categories: General

    Cool German words - Heimweh and Fernweh

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    Heimweh (home sickness) is not a special word, but in German we also have the opposite: Fernweh (far away sickness) the longing to go to a place far away from home. In these strange times, stuck on Iceland for more than a year now, I suffer from both. I long to go far away from here, preferably somewhere sunny and warm, with beaches. But I also long to go home to Germany and see my family in person. I guess anything, which is not Iceland would be nice for a change.

    Picture of the week - Chinglish

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    Usually you see examples of Chinglish as bad translations of Chinese into English. But you can also have the opposite. Here is a word for word translation of English phrases into Chinese. This is probably how I sound like to Chinese speakers, especially as I have not practised for months now...


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