Here is Pierre vocalizing the narrative arc for the character. He wants to do something good, but does not know what and is constantly hindered by his own weaknesses. His weaknesses lead him to make terrible decisions and the first of many is marrying Helene (she is written Hélène, but I'm not going to bother with the accents).
Now, i have to say that I am very much team Helene, mainly because both the book and TV series sympathise with Pierre. I really would like to someone to write War and Peace from Helene's perspective. Call it "What has my idiot husband done now?". Helene's reason for marrying Pierre are very simple: He has money, she likes money and as a bonus he is easily manipulated. I became a fan of hers with this scene:
They are newly wed and she is ninja like avoiding his advances (I can relate).
In the TV series, Pierre seems to actually be infatuated with Helene. He is just apprehensive and feeling uneasy about her (the music is really funny when it comes to Helene, she has her own horror theme). The book is much more unforgiving towards his reasons. He neither loves nor respects her. The above scene would never have happened in the book, as Pierre is equally terrified of and disgusted with Helene. He constantly thinks of her as stupid (really Pierre, YOU are calling people stupid?!). He keeps on entangling himself with her because:
- She is hot and he really wants to sleep with her
- She is hot and he wants a wife he can show off with
In the end he is so deeply entangled that Vasily can simply announce the engagement:
To be fair, this would also be my reaction if I were suddenly engaged. Stunned confusion.
The marriage conflict in the series seems to be mostly, Pierre wants a real marriage, Helene only wants to be left alone and enjoy the money. In the book they are equally awful to each other. Helene is annoyed at having an unfashionable husband who habitually embarrasses himself in society. She also tells him "I'm not going to have any children with YOU" (in the TV series it is the much softer "I'm not the motherly type"). Pierre is equally judgmental. He looks down on Helene's societal ambitions and interests, thinking of her as stupid. He also, after marrying her for being seductive and hot, judges her for being very sexual (this might be Tolstoy's own view of women coming through) while constantly engaging in what Tolstoy describes as:
temptations of the bachelor circles in which he moved
Anatole is engaging on a side quest of trying to court Marya, which he immediately fucks up, because he cannot even control his impulses for a weekend and ends up seducing Marya's French companion. Tolstoy really confuses me with his treatment of women. Sometimes I get annoyed and then he goes and lets them be complicated characters. The French companion, whose name I am too lazy to look up, could have just been a superficial character, a prop to be seduced, but Tolstoy explores her emotional state. She is alone, without relations in the middle of nowhere in Russia and dreams up the live of a romance heroine for herself. She dreams of being seduced by a Russian noble, who then marries her out of compassion. Obviously, that is not what happens with Anatole. Marya has nothing but understanding for her French companion.
I like also how Tolstoy acknowledges female sexual desire. Both Marya and Natasha fall for Anatole out of sexual desire for him, not romantic feelings and while Tolstoy makes it clear that marrying someone, just because you think they are really hot is a bad idea (see Pierre), he does not condemn their feelings, but treats them as natural. Their weakness is not their desire, but their inability to fully understand it, due to their innocence. Would Tolstoy have advocated for sex ed of girls?
As usual the war part is shortened a lot and with it a lot of the tension is lost. In the book there is a whole build up, with everyone but Kutuzov eager to attack the French in the name of glory, while Kutuzov argues for caution as no one knows the exact position of the French. As this is Austerlitz the reader knows it does not end well for the alliance. Before the battle the tension is increased with the fog (hiding the French) being mentioned several times with characters staring into it, wondering if they are hearing voices or seeing movement. It is a horror story moment.
The lead up to and the battle itself has also some of the first examples of the theme of how the disposition of the mass of people moves historical events, rather than singular decisions by "great men". Everyone is pushing for an attack, so Alexander gives the order. When the French appear like ghosts from the fog, the soldier panic and the disorder causes the smaller French army to win. The commanders have little influence over the battle itself, with news and orders being delivered much to slow to have any effect. So how are our boys doing?
Andrei continues to be disillusioned. When he brings news of the victory from the battle from book two, no one is impressed. All the sacrifice and heroic actions do not matter much in the big picture. He has a moment of considering his wife and family, sure he is going to heroically die.
He gets his big moment leading a charge waving a banner and gets badly insured. Close to death he has an epiphany of the insignificance of human action and his quest for glory:
It will still take a few books for him to not be insufferable.
I enjoyed Nikolai's part much more. I really like his book character and am sad his role is very reduced in the series. He is contrasted with Boris, who is way more worldly, uses his connections to advance, understands the social rules of the army, that Nikolai has a hard time learning. He dislikes using his family connections to advance in the army and calls out a superior officer when he catches him stealing, not understanding he should stay quiet to protect the honour of the regiment. Bless his heart. He also has the biggest crush on Czar Alexander.
He writes his own fanfiction in his head on performing heroic actions in front of Alexander and dying in his arms. Alexander is constantly described as very handsome, so good on them on casting a very handsome actor.